A publication of Brunico Communications Ltd

Archive: Apr 26, 2004
News
Banff finances hit rock ...
Market abuzz as formats ...
CanWest puts Fireworks on ...
It's a high-def world at ...
Pieces falling into place ...
Broadcasters divvy up ...
The Corporation tops $1 ...
Late night gets a makeover
Unearthly success for ...
Cinar cofounder dies ...
Profits top APFTQ confab ...
Alias acquired
SODEC names fund ...
Innoversity aims to ...
Made in Canada wins twice ...
Top court liberates ...
Nothing vapid in lobbying ...
Torstar is CHUM's best bet
Film & Television
Broadcast
Documentary
Divine comedy prays for a ...
49th Parallel set to ...
Features
Service
Cinematography
CSC honors top ...
Feature Film Production & Distribution
ShowCanada presses ...
Equinoxe does it again ...
Not getting big-screen ...
Capri taps Cianciotta for ...
Documentary Production & Distribution
Hot Docs attracting ...
Distribs look to Hot Docs ...
Docs hot, but more ...

Advertising

Featured Careers
Toronto
Toronto
Toronto
Nothing vapid in lobbying for drama dollars
by: Apr 26, 2004 Print

Laszlo Barna is executive producer of Barna-Alper Productions, and chair of the Canadian Film and Television Production Association.

In your last issue, Sean Davidson taunted Canadian television producers with the question "Is our business lobbying the government or the business of producing TV?"

The answer is simple.

We're in the business of producing TV. But we have to face facts: in a country like Canada you need the government on your side to get business done.

We face a very big challenge: we have a small marketplace and we live next to the world's most powerful entertainment industry. In light of this, how do we compete against expensive, well-scheduled and extensively advertised American shows like Friends and West Wing? Every other country makes their own programming - dramatic, format or lifestyle. Why should Canada, as Mr. Davidson proposes, ditch drama because it's too expensive? Canada consistently places in top-10 lists of countries to live in. Should we lower our storytelling expectations and run our production industry like a developing nation? One-hour dramas produced for $50,000. That's not an option I'd consider. That's not an option Canadian audiences would settle for.

Why then is Playback promoting a pessimistic and defeatist course of action when Canadian producers, writers, directors, have proven over and over again that they can deliver high-end dramas that audiences tune in and love. Shattered City, Trudeau, Tagged, Milgaard - all illustrate our abilities well. More over, we fictionalize and serialize the world of Canadian newsrooms, coroners' offices, homicide squads, and law offices - and along the way explore Canadian issues and priorities. Why would we back off now? I for one, like many of my colleagues, became a producer because I was, and still am, passionate about our stories and unique place in the world as Canadians. Should we give up on our cultural sovereignty because it involves lobbying?

For the record, I spend much of my time in Ottawa and other provincial capitals as chair of the CFTPA - while it is a time-consuming activity to meet with elected and non-elected officials, there is nothing vapid about making the case for a vision of our country. Let me assure you that our pleas, as evidenced by the last federal budget, do not fall on deaf ears and do make a huge difference. The simple truth is, if you don't talk to the government, you'll never be heard.


Advertising
Click Here

© 1986-2008 Brunico Communications Ltd.

® Playback is a registered trademark of Brunico Communications Ltd. Use of this website is subject to Terms of Use. View our Privacy Policy.

Close
Match:
By DATE:  TO  
In these publications: